DIME Work Selection

K. Title
K. 46d Sonata in C for violin and bass
K. 46e Sonata in F for violin and bass
K. 80 (2) Quartet in G for two violins, viola and violoncello
K. 136 Divertimento in D
K. 137 Divertimento in B flat
K. 138 Divertimento in F
K. 155 Quartet in D for two violins, viola and violoncello
K. 156 Quartet in G for two violins, viola and violoncello
K. 157 Quartet in C for two violins, viola and violoncello
K. 158 Quartet in F for two violins, viola and violoncello
K. 159 Quartet in B flat for two violins, viola and violoncello
K. 160 Quartet in E flat for two violins, viola and violoncello
K. 165 (1) “Exsultate, jubilate”. Motet in F for soprano and orchestra
K. 168 Quartet in F for two violins, viola and violoncello
K. 169 Quartet in A for two violins, viola and violoncello
K. 170 Quartet in C for two violins, viola and violoncello
K. 171 Quartet in E flat for two violins, viola and violoncello
K. 172 Quartet in B flat for two violins, viola and violoncello
K. 173 Quartet in d for two violins, viola and violoncello
K. 232 “Lieber Freistädtler, lieber Gaulimauli”. Canon for four voices
K. 266 Adagio and Menuetto in B flat for two violins and bass
K. 279 Clavier Sonata in C
K. 280 Clavier Sonata in F
K. 281 Clavier Sonata in B flat
K. 282 Clavier Sonata in E flat
K. 283 Clavier Sonata in G
K. 284 Clavier Sonata in D
K. 290 March [in D]
K. 292 Sonata in B flat for bassoon and violoncello
K. 309 Clavier Sonata in C
K. 310 Clavier Sonata in a
K. 311 Clavier Sonata in D
K. 330 Clavier Sonata in C
K. 331 Clavier Sonata in A
K. 332 Clavier Sonata in F
K. 333 Clavier Sonata in B flat
K. 356 Adagio in C for glass harmonica
K. 387 Quartet in G for two violins, viola and violoncello
K. 407 Quintet in E flat for horn, violin, two violas and bass
K. 410 Adagio in F for two basset horns and bassoon
K. 421 Quartet in d for two violins, viola and violoncello
K. 423 Duo in G for violin and viola
K. 424 Duo in B flat for violin and viola
K. 428 Quartet in E flat for two violins, viola and violoncello
K. 439b Twenty-five pieces (five divertimenti) for three basset horns
K. 457 Clavier Sonata in c
K. 458 Quartet in B flat for two violins, viola and violoncello
K. 464 Quartet in A for two violins, viola and violoncello
K. 465 Quartet in C for two violins, viola and violoncello
K. 475 Fantasy in c for Clavier
K. 487 Twelve duos for two horns
K. 494 Rondo in F for Clavier
K. 499 Quartet in D for two violins, viola and violoncello
K. 525 Serenade in G. “Eine kleine Nachtmusik” for two violins, viola, violoncello and double bass
K. 527/07 “Là ci darem la mano”
K. 533 Clavier Sonata in F [consisting out of:] 1st and 2nd movement = K. 533. 3rd movement = K. 494
K. 543 Symphony in E flat
K. 545 Clavier Sonata in C
K. 550 Symphony in g [“Great G-minor Symphony”]
K. 551 Symphony in C [“Jupiter”]
K. 554 “Ave Maria”. Canon for four voices
K. 556 “Grechtelt’s enk”. Canon for four voices
K. 558 “Gehn wir im Prater, gehn wir in d’Hetz”. Canon for four voices
K. 559 “Difficile lectu mihi mars”. Canon for three voices
K. 560 (1) “O du eselhafter Martin (Jakob)”. Canon for four voices. Version in G major
K. 560 (2) “O du eselhafter Peierl”. Canon for four voices
K. 561 “Bona nox! bist a rechta Ox”. Canon for four voices
K. 562e Fragment of a first movement of a trio in G for violin, viola and bass K. Appendix 66 (562e)
K. 563 Divertimento (string trio) in E flat for violin, viola and violoncello
K. 570 Clavier Sonata in B flat
K. 575 Quartet in D for two violins, viola and violoncello
K. 576 Clavier Sonata in D
K. 581 Quintet in A for clarinet, two violins, viola and violoncello
K. 589 Quartet in B flat for two violins, viola and violoncello
K. 590 Quartet in F for two violins, viola and violoncello
K. 618 “Ave verum corpus” for mixed chorus, orchestra and organ
K. 621/24 “Non più di fiori vaghe catene”
K. 687 Draft for a movement of a trio in C for two violins and violoncello mentioned at K. 266 (271f)
K. Anh. A 66 Allegro in D for clavier
K. Anh. A 47,01 “Due pupille amabili”. Notturno (trio) for two sopranos and bass with the accompaniment of three basset horns

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Audio information
Engraved by Verovio 4.1.0-dev-5fde61a Allegro 7 12 17 22 27 32

Editor’s Note

This is the encoding of the 3rd movement of K. 80 according to the Neue Mozart-Ausgabe VIII/20/1/1 (ed. Karl Heinz Füssl, Wolfgang Plath and Wolfgang Rehm, 1966). In the digital edition, this publication is encoded as 'source_1', while the corresponding Critical Report (Wolf-Dieter Seiffert, 1989) is listed as 'source_2'.

The NMA edition is based on the autograph score (NMA siglum A), held at the Biblioteka Jagiellońska, Kraków, call number Mus. ms. autogr. W. A. Mozart 80 and the score copy (NMA siglum B) held at the Staatsbibliothek zu Berlin — Preußischer Kulturbesitz, call number Mus. ms. 15430. For more information on the sources see the Critical Report.

In the digital edition, the diacritic markup of editorial interventions used in the NMA print edition (i.e. small size, italics, brackets, dashed line form) are coded as additions; as such they are marked as decisions by the editors of the NMA (@resp). Wherever possible the markup of additions affects the smallest unit that can be individually addressed, usually an element. In some cases, a distinction between supplied and un-supplied elements is made through a <choice> element. With the exception of possible corrections of obvious printing errors (marked in the code as such) the coding of the musical text is faithful to the aforementioned NMA editions. Some normalizations have been applied; for a full description of the editorial principles see the Editorial Guidelines of the DME Music Editions.

The present encoding in MEI 4.0.1 (with some minor customizations) is based on a previous encoding in DOX format. The DOX data were gained from optical music recognition (OMR) and proofreading processes developed and carried out by The Packard Humanities Institute, Los Altos, CA.

For technical reasons, it is possible that some of the original editorial markup not captured by OMR (e.g. small staccato signs) is not represented in the encoded versions.

Lacunae may be reported to the Editorial Office of the DME.

Bibliography

Mozart, Wolfgang Amadeus. Neue Ausgabe sämtlicher Werke, Serie VIII, Werkgruppe 20, Abteilung 1, Band 1. Ed. Karl Heinz Füssel, Wolfgang Plath and Wolfgang Rehm. Kassel: Bärenreiter, 1966.

Seiffert, Wolf-Dieter. Wolfgang Amadeus Mozart, Neue Ausgabe sämtlicher Werke, Kritische Berichte, Serie VIII, Werkgruppe 20, Abteilung 1, Band 1. Kassel: Bärenreiter, 1989.

First release: