This is the encoding of the second movement of K. 332 according to the Neue Mozart-Ausgabe IX/25/2 (ed. Wolfgang Plath and Wolfgang Rehm, 1986). In the digital edition, this publication is encoded as 'source_1', while the corresponding Critical Report (Wolfgang Rehm, 1998) is listed as 'source_2'.

The NMA edition is based on Mozart’s autograph score (NMA siglum A), held at the Princeton University Library, Special Collections - William H. Scheide Library, Princeton/NJ, call number 30.18 and the first print edition published by Artaria in 1784 (NMA siglum B). The NMA editors used the copy held in the Hohenlohe-Zentralarchiv, Landesarchiv Baden-Württemberg, located in Neuenstein, Germany. The autograph is incomplete, the last part of the third movement is missing from measure 107 on. The first print was used to compensate for the loss and for further additions. The first print also shows extensive variant readings especially in the second movement for the right hand. See also the source description in the Critical Report, pp. 96-97.

In the digital edition, the diacritic markup of editorial interventions used in the NMA print edition (i.e. small size, italics, brackets, dashed line form) are coded as additions; as such they are marked as decisions by the editors of the NMA (@resp). This also applies to dynamic markings that were taken from the first print (NMA source B). The variant readings from measure 21 to the end of the movement, that are documented in the NMA on a separate grand-staff in small print parallel to the autograph version, are coded as 'ossia' using the DIME default coding with <app> (@type="ossia"). Wherever possible the markup of additions affects the smallest unit that can be individually addressed, usually an element. In some cases, a distinction between supplied and un-supplied elements is made through a <choice> element. With the exception of possible corrections of obvious printing errors (marked in the code as such) the coding of the musical text is faithful to the aforementioned NMA editions. Some normalizations have been applied; for a full description of the editorial principles see the Editorial Guidelines of the DME Music Editions.

The present encoding in MEI 4.0.1 (with some minor customizations) is based on a previous encoding in DOX format. The DOX data were gained from optical music recognition (OMR) and proofreading processes developed and carried out by The Packard Humanities Institute, Los Altos, CA.

For technical reasons, it is possible that some of the original editorial markup not captured by OMR (e.g. small staccato signs) is not represented in the encoded versions.

Lacunae may be reported to the Editorial Office of the DME.

Bibliography Mozart, Wolfgang Amadeus. Neue Ausgabe sämtlicher Werke, Serie IX, Werkgruppe 25: Klaviersonaten Band 2. Ed. Wolfgang Plath and Wolfgang Rehm. Kassel: Bärenreiter, 1986. Rehm, Wolfgang. Wolfgang Amadeus Mozart, Neue Ausgabe sämtlicher Werke, Kritische Berichte, Serie IX, Werkgruppe 25: Klaviersonaten Band 1 und 2. Kassel: Bärenreiter, 1998.

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