| Title | page | ||
|---|---|---|---|
• Preface |
 I - XXI |
||
| • Clavier piece in B flat (fragment) K. 9b (5b)= Fr 1764a. <Präludium> | 1 |
||
| • [Clavier piece in F] K. 15nn | 2 |
||
| • [Clavier piece in C] K. 15rr | 2 |
||
| • Fuga K. 15ss. Fuga | 3-4 |
||
| • Undesignated piece for orchestra in g sharp K. 638 (1764e) | 5 |
||
| • <Two pieces for clavier of indeterminate affiliation. Mentioned at K. Appendix 20a (K.6: 626b/25)> 2. Clavier piece in E flat (fragment) | 5 |
||
| • Instrumental movement in C Fragment K. 632 (1765b). | 6 |
||
| • Fragment of a fugue in d K. 660 (1771b) | 6 |
||
| • “Per quel paterno amplesso”. Aria for soprano and orchestra [One page facsimile: NMA II/7/1 p. XXVI, earlier version of 79 (73d)] K. 73D Per quel paterno amplesso. | 7 |
||
| • “Ach, was müssen wir erfahren!”. Duet for two sopranos. Fragment K. Anh. 24a (43a; Fr 1767a) Ach, was müssen wir erfahren! | 7 |
||
| • Molto allegro in G (fragment) K. 72a Molto allegro | 8 |
||
| • “Ah, piu tremar non voglio”. Aria for tenor and orchestra K. 71 Ah, piu tremar non voglio. <Allegro> | 9-12 |
||
| • Movement of a Sonata in C K.6: deest K. 656 (Zu 42; Zu 35a; 1771a) | 13 |
||
| • Kyrie in C (fragment) K. 166f (Anh. 18; 1772a) KYRIE. Adagio – Allegro | 13-15 |
||
| • Kyrie in D (fragment) K. 166g (Anh. 19; 166g; 1772b; 1772gamma/01) KYRIE | 16 |
||
| • c) draft for a minuet K. Zu 103 (Zu 61d) = Fr 1772c. <Menuetto. Trio> | 17 |
||
| • Hosanna in G K. Anh. H 10/01 (223; 166e; 1772d) SANCTUS/ Osanna in excelsis | 17 |
||
| • “Un dente guasto e gelato”. Aria for bass and orchestra K. 209a Un dente guasto e gelato. | 18 |
||
| • Fragment of a movement of a divertimento in D for two violins, viola, bass and two horns K. 246b (320B) | 19 |
||
| • Fugue in g for organ (fragment) K. 401 (375e) | 20 |
||
| • Fragment of a fugue in D K. Anh. H 13/01 (Anh. 23a; 417a Anh. a; 73w; 1773a (I); 1773a/01). Fuga septimi toni | 21 |
||
| • Fragment of a fugue in D K. Anh. H 13/01 (73w; 1773a (II)) | 21 |
||
| • Fragment of the movement of a divertimento (?) in D for two solo violins and orchestra K. 666 (Anh. 223c; Anh. A 50; 1773b) | 22-23 |
||
| • In te Domine speravi (unknown origin) K. Anh. A 37 (Anh. 23; 166h; 1774a) In te Domine speravi. | 23-24 |
||
| • Fragment of a movement of a divertimento in F for violin, viola, bass and two horns K. 288 (271h; 246c). Allegro | 25-27 |
||
| • Fragment of a fugue in G K. Anh. H 12/01 (Anh. 41; 375g; 1776b). Allegro | 28 |
||
| • Chasse in A for orchestra (Fragment) K. Anh. 103 (320f; 299d). | 29 |
||
| • Concerto in D K. Anh. 56 (315f). Allegro | 30-37 |
||
| • First movement of a concerto in F for oboe and orchestra (fragment) K. 293 (416g; 416f; 1778c). <Allegro> | 37-40 |
||
| • Kyrie in E flat (Fragment, completed by Maximilian Stadler) K. 322= Anh. 12 (296a+296b); Fr 1779a KYRIE. Largo | 41-43 |
||
| • Sinfonia concertante in A for violin, viola, violoncello and orchestra K. Anh. 104 (320e). Allegro | 44-51 |
||
| • First movement of a concerto in E flat K. 370b (Anh. 97; Anh. 98b; Zu 371; 370b; 1781a) | 52-59 |
||
| • Rondo in E flat K. 371 (371; 1781b). <Rondo>. Allegro | 60-69 |
||
| • First movement of a Sonata in B flat K. Anh. 49 (372). Allegro | 70-72 |
||
| • Beginning of an Allegro (?) in B flat for two oboes, two clarinets, two horns and two bassoons K. Anh. 96 (196g; KV6: 384c). | 73 |
||
| • Larghetto and Allegro in E flat. Fragment, completed by Maximilian Stadler K. 681 (1781f). | 73-76 |
||
Larghetto |
73-76 |
||
Allegro |
73-76 |
||
| • Andantino in B flat for clavier and violoncello K. Anh. 46 (374g) = Fr 1782a. Andantino | 77 |
||
| • Grave and Presto in B flat for two claviers (fragment) K. Anh. 42 (375b). | 78-79 |
||
| • Movement of a Sonata in B flat for two claviers (fragment) K. Anh. 43 (375c) | 79 |
||
| • Movement of a Sonata in B flat K. 400 (372a) completed by Maximilian Stadler K. 400 (372a). Allegro | 80-81 |
||
| • “In te spero, oh sposo amato”. Aria for soprano and orchestra K. 440 (383h) In te spero, oh sposo amato. | 82 |
||
| • Beginning of a slow movement (Andante?) in E flat for two oboes, two clarinets, two horns and two bassoons K. 384B (384B; 1782g; 1782f/01). Andante | 83 |
||
| • Beginning of a march in B flat for two oboes, two clarinets, two horns and two bassoons K. 384b. Marcia | 84 |
||
| • Sarabande | 84 |
||
| • Fragment of a fugue in g K. Anh. H 12/11 (154; 385k; 1782j; 1782h/03). | 85 |
||
| • Fr 1782m: Fugue (trio Sonata) in G (completed by Maximilian Stadler) K. Appendix 67 = K. 443 (385l; K.6 404b) K. Anh. H 12/10 (Anh. 67; 443; 385l; 404b; 1782m). | 85 |
||
| • Fragment of a fantasy in c K. 396 (385f) | 86 |
||
| • Fragment of the last movement (Rondo) of a quartet in B flat for two violins, viola and violoncello K. Appendix 68 (589a) K. Anh. 68 (589a). Allegretto | 87 |
||
| • Two fragments of a fugue in E flat <No. 1> K. Anh. H 12/14 (153; 375f; 1782p; 1782alpha/01). | 88 |
||
| • Fragment of a fugue in c K. Anh. H 12/12 (Anh. 39a; 626b/27; 1782q) | 88 |
||
| • Fr 1782r: Movement of a string quartet in E K. deest K. 680 (1782r). | 89 |
||
| • Theme in C for variations for organ or clavier K. 383d (383d; Anh. 38; 383c; 1783a). Thema Man<ualiter> | 89 |
||
| • Fragment of a fugue in c K. Anh. H 12/08 (Anh. 39; 383c; 383d; 1783b). | 89 |
||
| • Fragment of a fugue in F K. Anh. H 12/18 (Anh. 109g/14; 626b/14; 375h; 1783c; 1783c/01) | 90 |
||
| • Fragment of a fugue for quartet in g for two violins, viola and violoncello K.3 deest | 90 |
||
| • “Müßt ich auch durch tausend Drachen”. Aria for tenor and orchestra K. 435 (416b) Müßt ich auch durch tausend Drachen. Allegro con brio | 91-98 |
||
| • “Männer suchen stets zu naschen”. Aria for bass and orchestra K. 433 (416c) Männer suchen stets zu naschen | 99-103 |
||
| • Skb 1783θ: [Sketch sheet] Quintet in B flat for clavier, oboe, clarinet, basset horn and bassoon (fragment) K. Anh. 54 (452a). | 104 |
||
| • Sonata in C K. 403 (385c). | 105 |
||
| • Fragment of a (first) movement of a Sonata in A K. Anh. 48 (480a; 385E). Allegro | 106 |
||
| • <Appendix II> Fragments Beginning of a slow movement in C of a concerto for clavier and orchestra K. Anh. 65 (452c; Fr 1784f) | 106 |
||
| • Movement of a chamber work in D for clavier, 2 violins, 2 horns and bass K. Anh. 55 (387c; 452b)= Fr 1784e. | 107 |
||
| • Beginning of a slow movement in C of a concerto for clavier and orchestra K. Anh. 59 (466a; 459a) | 108-109 |
||
| • Fragment of a last movement (Rondo) of a quartet in A for two violins, viola and violoncello K. Appendix 72 (464a) K. Anh. 72 (464a) | 110-111 |
||
| • Beginning of a movement of a trio in B flat for clavier, violin and violoncello (fragment) K. Appendix 51 (501a) K. Anh. 51 (501a). | 112 |
||
| • Fragment of the first movement of a quintet in E flat. Quintetoo K. Anh. 81 (613a) | 112-113 |
||
| • Beginning of a first movement in C of a concerto for clavier and orchestra K. Anh. 60 (502a) | 114 |
||
| • Draft for a terzet without text for soprano, tenor and bass with an accompaniment of a flute, two clarinets, bassoons, horns and bass, based on Michael Kelly's melody for the canzonetta La Libertà a Nice (“Grazie agl'inganni tuoi”) by Pietro Metastasio K. Anh. A 54 (532; 1784k; 1787beta/01) [Grazie agl’inganni tuo] | 115 |
||
| • Fugue in G for two claviers (fragment) K. Anh. 45 (375d). | 116 |
||
| • Allegretto | 116 |
||
| • Fragment of a fugue for quartet in d for two violins, viola and violoncello K. Appendix 76 (417c) K. Anh. H 14/21 (Anh. 76; 417c; 1785c). | 117 |
||
| • Allegro in c for two claviers (fragment) K. Anh. 44 (426a). Allegro | 117 |
||
| • Movement of a trio in d. Allegro | 118 |
||
| • “Einsam bin ich, meine Liebe”. Fragment of a vocal piece with clavier accompaniment (piano reduction?) K. 475a (Anh. 26; 1785f) Einsam bin ich, meine Liebe | 119 |
||
| • Beginning of a slow (?) movement in D of a concerto for clavier and orchestra K. Anh. 58 (488a) | 119 |
||
| • Beginning of a Rondo in A of a concerto for clavier and orchestra K. Anh. 63 (488b). Rondo | 120-121 |
||
| • Beginning of a Rondo in A of a concerto for clavier and orchestra K. Anh. 64 (488c). Rondo | 121-122 |
||
| • Beginning of a Rondo in A of a concerto for clavier and orchestra K. 488d. Rondo | 123 |
||
| • First movement of a concerto in E K. Anh. 98a (494a; Fr 1785k). <Allegro> | 124-127 |
||
| • Beginning of a first (?) movement in D of a concerto for clavier and orchestra K. Anh. 57 (537a) | 128-129 |
||
| • “Ich nenne dich, ohn' es zu wissen” Duet for 2 sopranos and clavier Text by Christian Felix Weiße K. 699 (Anh. 24; 626b/26; 1785m) Ich nenne dich, ohn' es zu wissen. | 129 |
||
| • Adagio in d for clavier or organ (fragment) Adagio | 130 |
||
| • Minuet in D (fragment) Men<uetto> | 130 |
||
| • Draft and fragment for the Bandel-terzet K. 441. 1. autographic draft K. 441 = Fr 1786b (A) Liebes Mandel, wo ist's Bandel? | 131-132 |
||
| • “Liebes Manndel, wo ist's Bandel?” Terzet for soprano, tenor and bass with an accompaniment of two violins, viola and bass K. 441 (441) Liebes Mandel, wo ist's Bandel? Andante sostenuto | 131-133 |
||
| • <Draft and fragment for the Bandel terzet K. 441> 2. autographic fragment of the score K. 441 = Fr 1786b (B) Liebes Mandel, wo ist's Bandel? | 133 |
||
| • Movement of a trio in G. Tempo di Menuetto | 134-135 |
||
| • Die Lichter, die zu Tausenden. | 136 |
||
| • “Del gran regno delle amazzoni”. Terzet for tenor, two basses and orchestra K. 434 (424b; 480b) Del gran regno delle amazzoni | 137-144 |
||
| • Beginning of an Allegro assai in B flat for two clarinets and three basset horns K. Anh. 95 (440b; 484b). Allegro assai | 144 |
||
| • Beginning of a slow movement in E flat of a concerto for clavier and orchestra K. 537c (Anh. 62; 491a) | 145 |
||
| • Fr 1786h: Orchestral movement (Symphony) in G K. Appendix 105 (504a) K. Anh. 105 (504a) | 145 |
||
| • Fragment of the first movement of a quintet in E flat. Quinteto K. Anh. 82 (613b) | 146 |
||
| • Original draft for the last movement of K. 493 for violin, viola, violoncello and clavier (fragment) K. Appendix 53 (493) K. 493a (Anh. 53; Zu 493/03; 493a; 1786j; 1786c/01). | 146 |
||
| • Beginning of a slow (?) movement of a concerto for clavier and orchestra K. Anh. 61 (537b) | 147 |
||
| • Kyrie in C (fragment) K. Anh. 13 (258a) KYRIE | 147 |
||
| • Kyrie in G (fragment, with a completation trial by Maximilian Stadler) K. Anh. 16 (196a) KYRIE. Adagio – Andante | 148 |
||
| • Gloria in C (fragment) K. Anh. 20 (323a) GLORIA | 149-150 |
||
| • Fragment of a fugue in F K. Anh. H 12/26 (Anh. 40; Anh. 33; 383b; 1787d). Fuge. All<egro> | 150 |
||
| • Kyrie in D (fragment) K. Anh. 14 (422a) KYRIE | 151 |
||
| • Movement of a trio in D. Allegro | 152-154 |
||
| • Beginning of an Adagio in F for clarinet and three basset horns K. Anh. 93 (440c; 484c). Adagio | 155 |
||
| • Beginning of a movement of a trio in G for clavier, violin and violoncello (fragment) K. Appendix 52 (495a) K. Anh. 52 (495a). | 155 |
||
| • [Movement of a Sonata in G] K. 357/01. Allegro | 156-157 |
||
| • Fragment of the first movement of a quintet in B flat K. Anh. 80 (514a) | 158-160 |
||
| • Fragment of a movement of a quintet (Rondo?) in g K. Anh. 86 (516a) | 161 |
||
| • Andante Rondo in E flat of a quintet for clarinet, two violins, viola and bass (fragment) K. 516d (516d; 1787l; 1787c/08). Rondo. Andante | 161 |
||
| • Fragment of a movement of a divertimento in F for two violins, viola, bass and two horns K. 522a (Anh. 108; 522a; 1787m; 1787delta/01). Rondo. Allegretto | 162 |
||
| • Fragmental draft for a slow movement in C for strings K. Anh. 69 (525a). Larghetto | 162 |
||
| • Fragment of a (first) movement of a Sonata in A K. 526a (Anh. 50; 526a; 1787o; 1787b/01) | 163 |
||
| • Movement of a Sonata in B flat K. Appendix 31 (569a) K. Anh. 31 (569a) | 163 |
||
| • Allegro in F of a quintet for clarinet, basset horn, violin, viola and violoncello (fragment) K. Anh. 90 (580b). Allegro | 164-166 |
||
| • Movement of a Sonata in F K. Appendix 29 (590a) K. Anh. 29 (590a) | 167 |
||
| • Movement of a Sonata in F K. Appendix 30 (590b) K. Anh. 30 (590b). Presto | 167 |
||
| • Movement of a Sonata (Rondo) in F K. Appendix 37 (590c) K. Anh. 37 (590c). <Allegro> | 168 |
||
| • Fragment of the first movement of a quintet in D K. Anh. 83 (592b) | 169 |
||
| • Die Alte (The Old Lady) K. 517 Zu meiner Zeit. Ein bißchen aus der Nase (durch die Nase) | 170 |
||
| • Die Verschweigung (Discretion) K. 518 Sobald Damötas Chloen sieht | 170 |
||
| • Adagio in F (fragment) for clarinet and three basset horns K. Anh. 94 (580a) | 171 |
||
| • Fragment of a fugue for quartet in C for two violins, viola and violoncello K. Appendix 77 (385m) K. Anh. H 12/27 (Anh. 77; 385m; 405a; 1789a) | 172 |
||
| • Fragment of the last movement (Rondo) of a quartet in B flat for two violins, viola and violoncello K. Appendix 71 (458b) K. Anh. 71 (458b) | 172 |
||
| • Fragment of the first movement of a quartet in e for two violins, viola and violoncello K. Appendix 84 (417d) K. Anh. 84 (417d). Allegro | 173 |
||
| • Allegro in B flat from a quintet for clarinet, two violins, viola and violoncello (fragment) K. 516c (Anh. 91; 516c; 1789d). Allegro | 174-175 |
||
| • Contredance K. Anh. 107 (535b). <Kontretanz> | 176 |
||
| • Fragment of a (first) movement of a Sonata in G K. Anh. 47 (546a) | 177 |
||
| • Fragment of a first movement of a trio in G for violin, viola and bass K. Appendix 66 (562e) K. Anh. 66 (562e). Allegro | 177-178 |
||
| • “Schon lacht der holde Frühling”. Aria for soprano and orchestra. Insert Aria intended for the German version of the opera “Il barbiere di Siviglia” by Giovanni Paisiello K. 580 Schon lacht der holde Frühling. Allegro | 179-191 |
||
| • Fragment of a first movement of a quartet in g for two violins, viola and violoncello K. Appendix 74 (587a) K. 587a (Anh. 85; Anh. 74; 587a; 1789i; 1789beta/01) | 192 |
||
| • Fantasy in f (fragment) K. Anh. 32 (383C). Adagio | 192 |
||
| • Kyrie in C (fragment, completed by Maximilian Stadler) K. 323 KYRIE. Allegro moderato | 193-196 |
||
| • Fragment of a minuet of a quartet in B flat for two violins, viola and violoncello K. Appendix 75 (458a) K. Anh. 75 (458a). Menuetto | 197 |
||
| • Fragment of the last movement of a quartet in F for two violins, viola and violoncello K. Appendix 73 (589b) K. Anh. 73 (589b) | 197 |
||
| • Movement of a Sonata in g K. 312 (189i; K.6: 590d) with additions of unknown hands K. 312 (189i; 590d; Fr 1790e). Allegro | 198 |
||
| • Adagio in d for an organ (fragment) K. Anh. 35 (593a). Adagio | 199 |
||
| • Rondo for a quintet in A for clarinet, two violins, viola and bass (fragment) K. Anh. 88 (581a). Rondo | 199-201 |
||
| • [Movement of a Sonata in G] K. 357/02. Andante | 202-204 |
||
| • Fragment of a movement of a quintet (Andante) in F K. Anh. 87 (515a). Andante | 205 |
||
| • Fragment of the first movement of a quintet (Allegro moderato) in a K. Anh. 79 + 84 (515c; 626b/30) = Fr 1791c. Allegro moderato | 205-207 |
||
| • Rondo in D. Draft K. 412 (386b). Rondo. Allegro | 208-211 |
||
| • Skb 1791b9 (1): Andante for a small organ (fragment) K. 615a (615a; 1791e; 1791b9/01). Andante | 211 |
||
| • Fantasia in C for glass harmonica, flute, oboe, viola and violoncello (fragment) K. 616a K. Anh. 92 (616a). Adagio | 212 |
||
| • Overture (?) in E flat for orchestra [fragment, mm. 19-26] Andante | 212 |
||
| • Draft for a movement of a trio in C for two violins and violoncello mentioned at K. 266 (271f) K. 687 (Bei 271f; 178X/a). <Adagio und Menuetto> | 213 |
||
| • Fragment of an Allegro for (?) basset horns and (?) K. 484e. Allegro | 213 |
||
| • Fr 178X/d, Fragments without date: Movement of a string trio in C K. deest or movement of a trio in C for violin, viola and violoncello Fragment K. 697 (178X/d) | 214 |
||
| • Magnificat for soloists, mixed chorus, orchestra and organ (fragment) K. 321a Magnificat anima mea. Allegro con spirito | 233 |
||
| • Zaide (The Seraglio) K. 344 (336b). | 233 |
||
| • Andante and fugue of a Sonata in A K. 402 (385e). Andante und Fuge | 236 |
||
| • Fantasy in d (fragment) K. 397 (385g). Andante – Adagio – Presto | 238 |
||
| • Fr *1782k: Fugue in A [for four voices?] K.6 385n or fugue in A for two voices Fragment K. Anh. H 12/29 (385n; 1782k). [Fuge] | 240 |
||
| • Mass in c K. 427 (417a). | 241 |
||
| • Fragment of a fugue for quartet in c for two violins, viola and violoncello K. deest K. Anh. H 14/13–14 (1782s). | 243 |
||
| • Fr *1782t: Symphony in E flat K. Anh. 100 (383g). | 243 |
||
| • L'oca del Cairo (The Goose of Cairo) K. 422 | 246 |
||
| • Lo sposo deluso ossia La rivalità di tre donne per un solo amante. (The Deluded Bridegroom, or The Rivalry of Three Women for One Lover) K. 430 (424a; 1784d). | 246 |
||
| • Concerto movement in G for basset horn and orchestra. Facsimile reproduction of the autographic draft K. 584b (621b) = Fr 1787v. | 264 |
||
| • Fr *1787y: Rondo in E flat of a quintet for clarinet K. Appendix 89 (K.6 516e) K. Anh. 89 (516e). Rondo | 265 |
||
| • Adagio in b (fragment) K. 708 (1788b). Adagio | 265 |
||
| • “Caro mio Druck and Schluck”. Quartet for soprano, two tenors and bass K. Anh. 5 (571a) Caro mio Druck und Schluck | 269 |
||
| • Fr *1789k: Minuet in A for violins, winds and tambourine K. Appendix 106 (K.6 571A) K. Anh. 106 (571A). [Menuetto] | 269 |
||
| • Requiem. Fragment of Mozart's handwritten transcript K. 626 (1791h). | 275 |
||
| • Minuet in D with a later composed trio by Maximilian Stadler K. 355 (594a; 576b). Menuetto | 276 |
||
| • Fr *178X/e, Fragments without date: Adagio in F for string quartet K. Appendix 70 (K.6 626b/29) K. Anh. 70 (626b/29). Adagio | 276 |
