Table of Contents: NMA IX/26: Piano Variations

NMA IX/26: Piano Variations (Kurt von Fischer,1961)

Title	page	PDF
• Preface [ Engl. Translation: ]	III - XX
• Eight variations in G on the dutch song “Laat ons Juichen, Batavieren!” by Christian Ernst Graaf K. 24= Anh. 208 <Allegretto con Variazioni>	3-8
<Thema>. Allegretto	3
VAR. I	3-4
VAR. II	4
VAR. III	4-5
VAR. IV	5
VAR. V	6
VAR. VI	6-7
VAR. VII. Adagio	7
VAR. VIII. <Tempo I>	8
• Seven variations in D on the dutch song “Willem van Nassau” K. 25 <Allegro con Variazioni>	9-14
<Thema>. Allegro	9
VAR. I	9
VAR. II	10
VAR. III	10-11
VAR. IV	11
VAR. V. Adagio	12
VAR. VI. <Tempo primo>	12-13
VAR. VII	14
• Six Variations in G on “Mio caro Adone” from the conclusion (Act 2) of the opera “La fiera di Venezia” (Antonio Salieri) K. 180 (173c). <Menuetto con Variazioni>	15-19
<Thema>. Menuetto. Andante	15
VAR. I	15
VAR. II	16
VAR. III	16-17
VAR. IV	17
VAR. V. Adagio	18-19
VAR. VI. Allegretto	19
• Twelve variations in C on a minuet by Johann Christian Fischer K. 179 (189a). <Menuet con Variazioni>	20-33
<Thema>. Menuet de Mr. Fischer à Rondeau	20
VAR. I	20-21
VAR. II	22
VAR. III	23
VAR. IV	24-25
VAR. V	25
VAR. VI	26
VAR. VII	27
VAR. VIII	28
VAR. IX	28-29
VAR. X	30
VAR. XI. Adagio	31-33
VAR. XII. Allegro	33
• Twelve variations in E flat on the romance “Je suis Lindor” from the comedy “Le Barbier de Seville” (Antoine-Laurent Baudron) K. 354 (299a). <Allegretto con Variazioni>	34-48
<Thema>. Allegretto	34
VAR. I	35
VAR. II	36
VAR. III	37
VAR. IV	38-39
VAR. V	39
VAR. VI	40
VAR. VII	40-41
VAR. VIII. Tempo di Menuetto	42-43
VAR. IX	43
VAR. X	44
VAR. XI	45
VAR. XII. Molto Adagio Cantabile – Allegretto	46-48
Allegretto	48
• Twelve variations in C on the french song “Ah, vous dirai-je Maman” K. 265 (300e). <Thema con Variazioni>	49-57
Thema	49
VAR. I	49
VAR. II	50
VAR. III	50-51
VAR. IV	51
VAR. V	52
VAR. VI	52
VAR. VII	53
VAR. VIII	53
VAR. IX	54
VAR. X	54-55
VAR. XI	55
VAR. XII. Allegro	56-57
• Twelve variations in E flat on the french song “La belle Françoise” K. 353 (300f). <Thema con Variazioni>	58-66
<Thema>	58
VAR. I	58-59
VAR. II	59
VAR. III	60
VAR. IV	60-61
VAR. V	61
VAR. VI	62
VAR. VII	62
VAR. VIII	63
VAR. IX	64
VAR. X	64-65
VAR. XI. Adagio	65
VAR. XII. Presto – Primo tempo	66
• Nine variations in C on the arietta “Lison dormait” from the Singspiel “Julie” (Nicolas Dezède) K. 264 (315d). <Thema con Variazioni>	67-81
Thema	67
VAR. I	68
VAR. II	69
VAR. III	70
VAR. IV	70-71
VAR. V	72
VAR. VI	72-73
VAR. VII	74
VAR. VIII. Adagio	75-79
VAR. IX. <Allegro> – Allegro	79-81
• Eight variations in F on the choral piece “theu d'amour” from the opera “Les Mariages samnites” (André-Ernest-Modeste Grétry) K. 352 (374c). <Thema con Variazioni>	82-89
Thema	82
VAR. I	82-83
VAR. II	83
VAR. III	84-85
VAR. IV	85
VAR. V	86
VAR. VI	86-87
VAR. VII. Adagio	88
VAR. VIII. Allegro	89
• Six variations in F on the aria “Salve tu, Domine" from the opera “I filosofi immaginari” (Giovanni Paisiello) K. 398 (416e). <Thema con Variazioni>	90-97
<Thema>	90
<VAR. I>	91
<VAR. II>	92
<VAR. III>	93
<VAR. IV>	94
<VAR. V>. <Tempo primo>	95
<VAR. VI> Cadenz Capriccio – a tempo	96-97
• Ten variations in G on the arietta “Unser dummer Pöbel meint” from the Singspiel “the Pilgrime by Mekka” (Christoph Willibald Gluck) K. 455 <Allegretto con Variazioni>	98-111
Thema. Allegretto	98
VAR. I	98-99
VAR. II	99
VAR. III	100
VAR. IV	100-101
VAR. V	102
VAR. VI	102-103
VAR. VII	103
VAR. VIII	104-105
VAR. IX. Adagio	106-108
VAR. X. Allegro	108-111
• Twelve variations in B flat on an Allegretto K. 500 <Allegretto con Variazioni>	112-119
Thema. Allegretto	112
VAR. I	112
VAR. II	112-113
VAR. III	113
VAR. IV	114
VAR. V	114
VAR. VI	115
VAR. VI	115
VAR. VIII	115
VAR. IX	116
VAR. X	116-117
VAR. XI. Adagio	118
VAR. XII. Allegro	118-119
• Nine variations in D on a minuet by Jean Pierre Duport K. 573 <Thema con Variazioni>	120-131
<Thema>	120
VAR. I	120-121
VAR. II	122
VAR. III	123
VAR. IV	124
VAR. V	125
VAR. VI	126
VAR. VII	126-127
VAR. VIII. Adagio	128-129
VAR. IX. Allegro – Primo tempo	130-131
• Eight variations in F on the song “Ein Weib ist the herrlichste Ding” from the Singspiel “Der dumme Gärtner” (Benedikt Schack?) K. 613 <Moderato con Variazioni>	132-146
<Thema>. <Moderato>	132
VAR. I	132-133
VAR. II	134-135
VAR. III	135-136
VAR. IV	136-137
VAR. V	138-139
VAR. VI	140-141
VAR. VII	141-143
VAR. VIII. Allegro	144-146
APPENDIX: • Theme in C for variations for organ or clavier K. 383d (383d; Anh. 38; 383c; 1783a). Thema Man<ualiter>	149
• Five variations in G on the arietta “Unser dummer Pöbel meint” (Christoph Willibald Gluck), K. 455, earlier, incomplete version K. 455 <Thema con Variazioni>	150-153
Thema. Allegretto (Andante)	150
VAR. I	150-151
VAR. II	151
VAR. III	152
VAR. IV	152-153
VAR. V	153
• Two variations in A on the aria “Come un agnello” from the opera “Fra i due litiganti” (Giuseppe Sarti) K. 460 (454a). <Thema con Variazioni>	154-156
Thema	154
VAR. I	155
VAR. II	156
• Theme in F with five variations K. 54 (Anh. 138a; 547b). <Thema con Variazioni>	157-160
Thema	157
VAR. I	157
VAR. II	158
VAR. III	158-159
VAR. IV	159
VAR. V	160