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• Preface [ Engl. Translation: ]
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III - XX
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• “God is our refuge” (Psalm 46, 1) for soprano, alto, tenor and bass K. 20 God is our refuge |
2-3 |
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• “Liebes Manndel, wo ist's Bandel?” Terzet for soprano, tenor and bass with an accompaniment of two violins, viola and bass K. 441 (441) Liebes Mandel, wo ist S'bandel? Andante sostenuto |
7-18 |
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• “Zerfließet heut', geliebte Brüder”. For the opening of the masonic ▭. Song for one voice, three-part (male) chorus and organ K. 483 Zerfließet heut', geliebte Brüder. Andante |
20-21 |
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• “Ihr unsre neuen Leiter”. For the ending of the mason ▭. Song for one voice, threepart (male) chorus and organ K. 484 Ihr unsre neuen Leiter. Andante |
22-23 |
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• “Due pupille amabili”. Notturno (terzet) for two sopranos and bass with an accompaniment of three basset horns K. Anh. A 47/01 (439) Due pupille amabili. Andante |
26-28 |
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• “Se lontan, ben mio, tu sei”. Notturno (terzet) for two sopranos and bass with an accompaniment of two clarinets and basset horn K. Anh. A 47/02 (438) Se lontan, ben mio, tu sei. Adagio |
29-30 |
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• “Ecco quel fiero istante”. Notturno (terzet) for two sopranos and bass with an accompaniment of three basset horns K. Anh. A 47/03 (436) Ecco quel fiero istante. Andante |
31-34 |
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• “Mi lagnerò tacendo”. Notturno (terzet) for two sopranos and bass with an accompaniment of two clarinets and basset horn K. Anh. A 47/04 (437) Mi lagnerò tacendo. Poco adagio |
35-41 |
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• “Luci care, luci belle”. Notturno (terzet) for two sopranos and bass with an accompaniment of three basset horns K. Anh. A 47/05 (346; 439a) Luci care, luci belle. Allegretto |
42-43 |
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• “Più non si trovano”. Canzonetta (terzet) for two sopranos and bass with an accompaniment of three basset horns K. 549 (549) Più non si trovano. <Andante> |
44-47 |
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APPENDIX: • “Ach, was müssen wir erfahren!”. Duet for two sopranos. Fragment K. Anh. 24a (43a; Fr 1767a) Ach, was müssen wir erfahren! |
51 |
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• Draft and fragment for the Bandel-terzet K. 441. 1. autographic draft K. 441 = Fr 1786b (A) Liebes Mandel, wo ist S'bandel? |
52-57 |
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• <Draft and fragment for the Bandel terzet K. 441> 2. autographic fragment of the score K. 441 = Fr 1786b (B) Liebes Mandel, wo ist's Bandel? |
58-59 |
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Drafts for the notturnos K. 438 and 436. 1. Autographic draft for K. 438 (Voice, measure 1-7) Se lontan, ben mio, tu sei. Andante |
60 |
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Drafts for the notturnos K. 438 and 436. 2. Autographic draft f K. 436 (Voice) Ecco quel fiero istante. |
60-61 |
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• Draft for a terzet without text for soprano, tenor and bass with an accompaniment of a flute, two clarinets, bassoons, horns and bass, based on Michael Kelly's melody for the canzonetta La Libertà a Nice (“Grazie agl'inganni tuoi”) by Pietro Metastasio K. Anh. A 54 (532; 1784k; 1787beta/01) [Grazie agl’inganni tuo] |
62-63 |
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• “Caro mio Druck and Schluck”. Quartet for soprano, two tenors and bass K. Anh. 5 (571a) Caro mio Druck und Schluck |
64-66 |
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